Rahul loses his fans and fame due to alcoholism. But he then decides to turn a small time singer into a rising star. Will they stay together accepting their success, or will their egos break them apart?Ī spiritual successor to the 1990 musical. Streaming aashiqui 2 bluray drama, music, musical rahul is a singer, who loses his career due to his drinking habits.
Aashiqui movie imdb movie#
Streaming aashiqui 2 rahul is a singer, who loses his career due to his drinking habits aashiqui 2 full movie free online. He meets arohi in a bar in goa, where she works to earn a living. Rahul is a singer, who loses his career due to his drinking habits. Rahul loses his fans and fame due to alcoholism.Īashiqui 2 is a bollywood romantic musical drama film directed by mohit suri starring aditya roy kapoor and shraddha kapoor in the lead roles.
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I don’t see movies making this kind of money in the near future,” says Mohan.With aditya roy kapoor, shraddha kapoor, shaad randhawa, salil acharya.Īashiqui 2 full movie. The profit was going up but now most of it has been lost. “In 2019, we made a profit of Rs 4,400 crore, but last year, in three months, we made only Rs 600 crore, and this year, we have made only Rs 55 crore. It’s a huge market and cannot be ignored.”įilm trade experts are unanimous in agreeing that, due to Covid, the film industry’s monetary suffering has only been worsening over the months since the first lockdown in March last year. Mohan adds: “Theatres have been shut in Maharashtra and these account for more than 40 per cent of box office collections. For a 100-crore film, 15 to 20 crore worth interest is charged in a year,” he says.
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Plus, you have to pay interest on the budget. You need to restructure the schedules, get dates. Whenever a project is delayed, 10 to 15 per cent of the budget is lost. “We might have official announcements in a few days. These filmmakers might postpone and release in the theatres,” trade analyst Taran Adarsh tells IANS.įilmmaker Atul Mohan feels the situation right now is definitely uncertain. The theatres have shut down so people tend to believe that big films will release on OTT. “These are speculations, we need to wait for the official announcements.
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Most trade experts would rather take a wait-and-watch stance. The film trade, however, would prefer to stay optimistic at this point. Now, rumours abound that makers of many of these films are weighing the option of direct-to-OTT release and that negotiations might be on with digital platforms. These include the Amitabh Bachchan-Emraan Hashmi starrer “Chehre”, the Rani Mukerji- Saif Ali Khan starrer “Bunty Aur Babli 2” and Rana Daggubati’s “Haathi Mere Saathi”.
While no announcement has been made on any of the above films yet, release of the first lot of films, which were to open over the next few weeks, was already postponed even before the Maharashtra government officially decided to shut down halls owing to the second wave of Covid. Still, the big films of big banners were undeterred and insisted they would go ahead with release.Īmong the most-hyped films whose release dates were confirmed over the next months were the Ranveer Singh-starrer cricket drama “83”, Salman Khan’s Eid 2021 release “Radhe”, Akshay Kumar’s “Bell Bottom” and “Prithviraj”, the Ayushmann Khurrana-starrer “Chandigarh Kare Aashiqui” and the period drama “Shamshera” starring Ranbir Kapoor and Sanjay Dutt. “Mumbai Saga”, among the first big commercial films to release in cinemas, fared below expectations, what with the public maintaining a cautious stance about visiting theatres. When cinemas opened up after last year’s lockdown, Bollywood was quick to announce a rich line-up of films, beginning March this year right up to the yearend. Being one of the most important Bollywood biggies of the year, the decision whether such a huge film goes directly to OTT could set the course for other films as far as future exhibition trends go (at least for now), in an industry that is quick to adapt herd mentality. While Bollywood is in a tizzy over the current shutdown of cinema business in Maharashtra, one of the most important markets for Hindi films, the fate of “Sooryavanshi” could have ramifications on film trade trends far beyond just the film.